Throughout the 2010s, Baugh’s work evolved into a mature synthesis of technical mastery and cinematic atmosphere. Known for his emotionally resonant figurative paintings and evocative charcoal works, Baugh explored themes of isolation, memory, technology and human vulnerability with increasing depth. His refined use of light, tonal brilliance, and compositional tension positioned him at the forefront of contemporary realism. Notable solo exhibitions in New York and Los Angeles during this decade reflected a growing complexity in his narrative approach, as well as a subtle shift toward more conceptual and psychological subject matter.


“Static” (2013) – New York City - Solo Exhibition

Casey Baugh’s third solo exhibition, Static (2013), marked a conceptual departure from his earlier, more intimate portraiture, as he turned his attention to the evolving intersection between humanity and technology. Through a series of visually arresting figurative paintings, the exhibition explored the tension between the synthetic and the organic, the digital and the corporeal, posing quiet questions about identity, isolation, and the increasingly blurred boundaries of modern existence.

The works in Static were rendered primarily in a restrained, cool palette dominated by indanthrene blue and deep black, creating an atmosphere of detachment, stillness, and ambient unease. Figures appear suspended in space, often partially obscured or fragmented, evoking the ghostly imprint of bodies caught between presence and signal, between human warmth and digital sterility. Baugh’s painterly realism, sharpened by years of technical mastery, was here used to interrogate not just what we see, but what we’re becoming.

Static was both a reflection of its time and a prescient meditation on the future, expressing, through paint, the quiet dissonance of an increasingly virtual world. The exhibition was met with critical acclaim and further solidified Baugh’s position as a realist painter capable of navigating contemporary themes with psychological depth and formal innovation.


“Nocturnus” (2015) – New York City - Solo Exhibition

Nocturnus marked Casey Baugh’s fourth solo exhibition in New York City, presenting a haunting series of oil paintings and charcoal works that explored the psychological and atmospheric nuances of urban nightlife. Set entirely in the after-hours landscape of New York City, the exhibition contemplated how human behavior shifts in the absence of daylight, when anonymity deepens, emotions surface, and identities blur. Through moody palettes, soft-focus edges, and cinematic composition, Baugh captured fleeting moments of solitude, tension, and intimacy. Nocturnus revealed the city not just as a physical space, but as a state of mind, one that transforms with the fall of night.


“Exposed” (2017) – Los Angeles - Solo Exhibition

Exposed, Baugh’s fifth solo exhibition and his first in Los Angeles, marked a pivotal evolution in his practice, both technically and conceptually. In this groundbreaking series, Baugh delved deeper into the raw, unguarded layers of the human psyche, deconstructing the figure to reveal what lies beneath the surface. Blending the softness of flesh with the aggression of heavy impasto, he broke from traditional realism, redefining its boundaries through experimental oil application and bold, visceral brushwork. Exposed also introduced Baugh’s first large-scale works and debuted his now-recognized oil splatter technique, a process that challenged the conventions of representational painting and catalyzed a broader movement within the realist community. This series stands as a declaration of vulnerability, capturing the tension between beauty and fracture, control and chaos, seen and felt.